bibliography
| SELECTED BIBLIOGRAPHY | 2014 | Public Art Review, toward a Livable Planet, “Water Works/Transforming watersheds and communities,” Keith Goetzman, #49, Fall/Winter, 35 |
| 2013 | Landscape Architecture Frontiers, Beijing, China, March 2013, ISSN No.CN10-1105/TU, Bilingual Interview |
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| Conservation Magazine, “Restorative Art,” Sarah Deweerdt, Spring 2013, Vol. 14, 126-33 |
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| Next City, “The Art of Infrastructure,” Alice H. Thatcher
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| Orion Magazine, “The Art of Infrastructure,” Sept/Oct 2013 Read >> |
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| 2012 | Ernesto Pujol, “Journey to Fargo: the Work of Jackie Brookner”
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| Roger Denson, “Nomads Occupy the Global Village: Left Political Art Timeline, 2001-2012?
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| Suzanne Boettger, “Environmentalist Desire,” Oxford Art Journal, Vol. 35.1, 107-111 |
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| Daniel Grant, “Learning How to Be a Professional Artist Is a Lifelong Process” Read > |
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| Patrick Springer, “Rabanus Park redesign planned,” The Forum, Fargo, ND, April 30, A5 |
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| 2011 | “Our Town Spotlight on Fargo, ND,” National Endowment for the Arts blog, July 12
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| A. Toland, Perspectives in Urban Ecology, Edit. Wilfried Endlicher, Springer Verlag, Berlin |
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| 2010 | Amanda Boetzkes, The Ethics of Contemporary Earth Art, University of Minnesota |
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| Remediate/Revision Public Artists Engaging the Environment, Wave Hill catalogue |
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| Veden Taika: Jackie Brooknerin suunnittelema ekologinen ymparistotaideteos, Aurinkoinen tulevaisuus ry, Finland |
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| Ecoartspace, Interview with Jackie Brookner
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| 2009 | Patricia Philllips, Urban Rain/Stormwater as Resource, “To Give the Appearance,” ORO editions |
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| Lauren Monson,” Artist Jackie Brookner Unites Sculpture with Eco-Friendly Design”
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| Public Art Review, public art and sustainability, “A Site for Environmental Art: Greenmuseum.org,” Allison Compton, 52-55 |
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| Dipti Desai, Jessica Hamlin, Rahel Mattson; History as Image, Image as History, Routledge |
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| Jeff Heubner, “Halikonlahti Green Art,” Greenmuseum.org Read > |
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| 2008 | 1000x Landscape Architecture, Verlagshaus Braun, Berlin |
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| Ecological Restoration, “Called to Action: Environmental Restoration by Artists,” 26:1, Lillian Ball, 27-32 |
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| Art and Community LandscapesNational Park Service, Rivers, Trails and Conservation Assistance, (No. 1/2008) |
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| Salon Seudun Sanomat,Sept. 28, “Halikonlahden puhdistava saari alkaa muotoutua,” Elina Lahti, 9, 12 |
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| 2007 | Reconstruction: studies in contemporary culture, “Contemporary Art Facing the Earth’s Irreducibility,” Amanda Boetzkes,Vol. 7.2
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| art in action: Nature, Creativity and Our Collective Future Natural World Museum and UNEP, Earth Aware Editions, San Rafael, CA |
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| CityBeat,“If Fish Lived There/Bio-art helps restore the Mill Creek,” Margo Pierce, 9/29 Read |
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| Kira Gould, Lance Hosey, Women in Green,Ecotone Publishing, Bainbridge Island, WA |
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| The Cincinnati Enquirer, August 23, “A green project for ArtWorks,” Sara Pierce, D1,D6 |
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| 2006 | Alessandro Rocca, ed., Natural Architecture, 22 Publishing, Milan, Italy |
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| Amanda Boetzkes, “Contemporary Art Facing the Earth,”
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| 2005 | Ann Rosenthal, “Imagination Can Save Us,” New Practices New Pedagogies, ed. Malcolm Miles |
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| Patricia Watts, Community Arts Network/Art in the Public Interest, “Ecoartists: Engaging Communities in a New Metaphor,”
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| NYArts, “Man vs. Nature, Nurturing the Divide,” Jan/Feb, Emily Lodish |
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| 2004 | Heike Strelow, Aesthetics of Ecology, Art in Environmental Design:Theory and Practice, Birkhauser, Berlin |
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| Carol Steinfeld, Reusing the Resource:Adventures in Ecological Wastewater Recycling, Chelsea Green |
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| The Cincinnati Enquirer, July 31, “Fish sculptures to help cleanse Mill Creek water,” Allen Howard |
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| 2003 | Robin Wall Kimmerer, Gathering Moss/ A Natural and Cultural History of Mosses, Oregon State Univ. Press, Corvallis, OR |
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| Landscape and Art, “Parts Reflecting the Whole” no. 29, Katrin Spiess, Summer, 33-4 |
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| Ethics and the Environment, “The Greening of Gaia, Ecofeminist Artists Revisit the Garden,” Gloria Orenstein, Vol. 8, no. 1, Spring, 103-111 |
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| Orion, “Tongue-tied and Twisted,” Jan/Feb, 10 |
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| Studies in Art Education, “The Ethnographic Move in Contemporary Art: What Does it Mean for Art Education?“, 43(4), D. Desai, 307-323 |
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| 2002 | Sue Spaid, Ecovention: current art to transform ecologies, Contemporary Arts Center |
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| Studies in Art Education, “The Ethnographic Move in Contemporary Art: What Does it Mean for Art Education?“, 43(4), D. Desai, 307-323 |
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| Verortungen: Kunstproject der 3. Sachsischen Landesgartenschau Grossenhain 2002, Graser Verlag, Grossenhain, Heike Strelow |
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| 2001 | Terry Tempest Williams, Red/Passion and Patience in the Desert, Pantheon, New York |
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| Journal of Social Theory in Art Education, “Working with people to make art: Oral history, artistic practice, and art education,” No. 21, Dipti Desai, 72-90 |
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| 2000 | New York Times, “Where the Water Flows,” May 28, Andrew Revkin |
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| Sculpture, “Environment, Audience, and Public Art in the New World (Order),” March, Vol. 19, No. 2, Mara Scrupe, 42-49 |
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| Earthlight, “Making Sense of Matter/ Interview with Jackie Brookner,” Fall, 21-25 |
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| Utne Reader, “Terry Tempest Williams,” June, no. 99, 103 |